#Cinematic strings 2 classical Patch
You just load one patch for each of the strings and the pre-mixed mic blend has everything panned and enough tail from the hall (found in Sydney Conservatorium of Music) that you can just start playing immediately.
So why did I just mention that? Because Cinematic Strings 2.1 (CS 2.1 from here on out) is as far away from that process as you can get.
It sounded (and sounds) great but it takes a lot of resources and a lot of time to make it work well. The library was pretty dry so I usually added convolution reverb to get smoother note releases at the very least. I’d spent a great deal of time setting up large templates to have the widest range of articulations I might use at my fingertips and the template itself took a long time to load. Before I started reviewing string libraries for this issue, I had gotten to the point where I used Hollywood Strings for almost all of my ensemble string needs. If you like your strings big and round, recorded in-place, in a concert hall and prefer working quickly to a wider range of articulations, then this is definitely a library you should read about.įirst, a little background. If you like strings that are big and round, recorded in-place in a concert hall and prefer working quickly to a wide range of articulations, then this might be the string library for you.Ĭinematic Strings 2.1 ($399 USD from is a Kontakt Player library with one heck of selling point going for it: it has the shortest learning curve of any major string library I’ve ever run on computer in the last fifteen years and can be used without any additional FX (though it benefits from them, of course).
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